What a grand way to start my 2023 reading challenge! After finishing
a couple of generic thrillers, Foe felt like a breath of fresh air. It’s
simply one of the best atmospheric novels I’ve ever read. It’s profound in a
classical way with nods to the styles of Don DeLillo and Haruki Murakami (at
least, that’s my impression of it).
Anyway, the story is simple. You’ve got your
one-in-a-million couple living on a farm in the middle of nowhere when suddenly
their harmonious life is disrupted by a nighttime visitor who tells them that
the husband’s name has entered a lottery where the prize is leaving Earth and temporarily
settling in a space station called the Installation.
Sounds too science fiction-y? Well, it is, but the story is
all about relationship dynamics along with a bunch of other concepts like
identity, purpose, existential crisis, self-determination, etc.
As I started reading, I couldn’t help but notice an insidious
sense of unease and dread creeping inside me, quite typical of Reid’s I’m
Thinking of Ending Things. The rural setting just multiplied this feeling
tenfold. So, I kept guessing and guessing and ultimately I saw the ending miles
ahead. Still, that didn’t take away the value of the book as an entertaining
and thought-provoking work. Foe represents one of the cases where readers
aren’t looking for actions or plot twists more than trying to figure out what’s
the writer’s comment on the human condition.
While I’d place Foe under the genre of suspense/thriller,
a great number of readers tagged ‘horror’ to it. It doesn’t make sense, right?
But if you put yourself in the character’s shoes, you’ll start to see where
this ‘horror’ comes from. There’s no talk of psychos or deformed monsters or menacing
aliens… true horror stems from the realization that reality is subjective.
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